That organization is the the fulcrum of the study. “ Comics ( … ) allows for the construction of a representation of the world from the organization of coherent fragments ” (p. Although the main scale, the main unit, of this study, is the classical area, plane or zone of composition (in French, the used word is planche for this compositional, visual unit – see interview), that plane can appear in many dimensions and configurations, as we ’ ll see.
#Plg day of defeat source trial
It’s as if we’re employing one those trial frames opticians use, changing lenses, altering the scope and focus and clarity of whatever one’s looking. It ’ s as if we are sensitized along these almost 300 pages (of a double column oblong book which would make a 500-plus pages regular textbook) to detect these same structures, which will glow and irradiate out of any work. Īfter reading Composition de la bande dessinée it is utterly impossible to look once again at any comics page without seeing the structures that Chavanne discusses. The main point is to prove the pertinence of the tools he develops and its application on such a staggering corpus. In this volume, Chavanne engages with an overwhelming array of work from all kinds of genres, geographical and time origins, even importance or influence or quality, if you will. This is, to put it simply, a study in the work of page layout or, following the original French term used in the book, page composition, and what it means for the way one reads that page, what the author terms the “ reading protocols ”, an interrelationship between author and reader towards the creation of meaning, implying notions such as style, structural typologies and specific semiotics. Jacobs & The Secret of the Explosion ” PLG: 2005 ).
Jacobs & Le Secret de l ’ Explosion ( “ Edgar P. The new book by French scholar Renaud Chavanne is an expansion of the research he had proposed in a previous book, Edgar P. As the author of this book writes, “ where art is concerned, neither the aesthetic discourse order nor that of statistics can claim absolute priority ” (p.
This is still a – I wouldn ’ t say “ sorely ”, though – needed back to basics anyway, considering that this is and will always be a never-ending task. The last few years have seen an incredible boost in comics scholarship, and despite the dangers of generalization, it seems that in both the United States and Europe the focus has been on political and cultural approaches, and it ’ s never a bad thing to return to a rather formal discourse. Perhaps with time, and with the continuous study and application of its analytical tools, comics scholarship will be able to create the illusion of continuity and smoothness.
The edifice of comics ’ own academic specificity has been slowly but surely built in the past twenty, thirty years, but somewhat akin to the way we read a comics ’ page, that is to say, through saccades: small discrete movements, sometimes distanced in time, and without always drawing a smooth curve from one point to the next, and with various degrees of attention and focus. Now and then there are books which become immediately a powerful and compulsory addition to the toolbox of an area of study. To make it more palatable, I’m posting here the review only, and the interview in a separate post… Also, Thierry Groensteen issued a reply to this interview, which I translated and was put out by IJOCA, and I’ll post that soon as well. All the translations are my responsibility, except where noted, and they were done with clarity in mind, not style. Chavanne’s new book, as it followed personal concerns, and does not claim to be a balanced, more objective stance (if such a thing exists). The interview was conducted by email, in both English and French, and not only consisted in back and forth correspondence discussing Mr. This review of Renaud Chavanne’s Composition de la Bande Dessinée, along with the interview, is based on material previously published, in Portuguese, on my own blog, which was subsequently edited for publication at the International Journal of Comic Art (Vol.
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